Darryl: A good reel shows the acting range of the actor in a very quick manner. An average reel can run 2.5 to 3.5 minutes, however, it's very common for reels to run even shorter.
A good editor is always looking for ways to cut long shots, shots on other actors, cut-aways and trim the dialogue of other actors to the bare minimum. Dramatic pauses may work for your movie, but they're cut down or removed for a demo reel. Foul language, gore and nudity is generally avoided.
Thinking of saving your best scene for last? Think again. Most people won't watch the whole reel. Put your best stuff right up front, shorter scenes first. This way, whoever is watching sees more of your best work in the shortest amount of time.
Avoid video and headshot montages to music. That's old school and just annoys people. Get right to the work, that's what people want to see...can you act, and what type(s) are you? The one exception to making a montage might be if you have a few "special talents" that you can show in short order (stunts, horseback riding, fire eating etc).
Don't make the mistake that many do...saving up material until you have enough to make a "brand new" reel. Rather, as soon as you get a new scene worthy of your reel...get it on there.
People want to see your latest and greatest. Your demo reel is ever changing, ever evolving...that is until you are a super star and don't need one anymore.
Sue: A BEGINNER COMES TO YOU FOR THEIR FIRST REEL. WHAT DO YOU WANT THEM TO HAVE AND IN WHAT FORMAT?
Darryl: I always prefer to work with the actor during the edit rather than them just dropping stuff off. Working together is more collaborative and more productive....and more cost-effective.
Actors should review the material in advance, make selections and write down the time-codes of where to find each scene on the file or DVD. Try not to identify more than 10-15 minutes of material that we'll be working with. Remember, you're cutting it down to a couple minutes and the editor doesn't need to see every frame of film you've been in.
If you have computer files of your work, bring them, but also bring a regular "playable DVD" as a backup (if you have it). That's a playable DVD that plays on a DVD player (not your computer).
Sue: WHAT DO THEY WALK AWAY WITH?
Darryl: You get a DVD Master. You can make copies from that on your computer, or have me make them for you.
You also get a digital internet version that you can upload to website of your choice (Actors Access, Youtube, Vimeo, your website...wherever). Then just send the link to the people that you want to view your reel.
Sue: HOW IMPORTANT IS IT TO HAVE A DEMO REEL? WHO DOES THE ACTOR GIVE ONE TO?
Darryl: Usually the first thing an agent, manager, casting director, producer or director will ask an actor is, "Do you have any tape on your self?". That's them asking for your reel. If you are prepared, you say "Of course". If not, you just sort of stammer and stutter. Demo reels don't "usually" get you an acting gig, but they can get you a meeting or an audition.
Sue: WHO ELSE HAS A DEMO REEL BESIDES ACTORS?
Darryl: Directors, Set Designers, Music Supervisors, Dancers, Stand-up Comics, Stunt People, Special Effects People....whoever wants to show someone else their work.
Sue: WHAT IS THE IDEAL DEMO REEL FOR ADVANCED BEGINNER?
Darryl: The same for everyone...one that shows your latest and greatest in short order.
Sue: DO DEMO REELS DIFFER REGIONALLY?
Darryl: Not really.
Click here to see some demo reels made by Darryl. If you view all 11 videos on the page, you'll have a good idea of the possibilities. You can get Darryl's contact info right there on the site, too, or email: Darryl@SunTopiaFilms.com
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